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Salome was on the very full playbill the first summer I worked at the Santa Fe Opera, when it was still in the first theater--which resembled nothing so much as an incomplete barn--in '62 (though with Eleanor Lutton in the title role; the image above is from 1967, another staging of the Strauss biblical fable). Those were the first operas I had ever heard and seen performed.
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"We" did SIX Stravinsky operas in about three weeks, that summer: Mavra, Le Rossignol, Oedious Rex, Persephone, The rake's Progress and Renard.
This at the same time "we" were also producing repertoire classics like Tosca and Traviata, which the pros could perform in their sleep, but along with Honegger's "Joan of Arc..." and Strauss' aforesaid Salome, PLUS Cosi fan Tutte. It was a constant whirl, and music flooded everywhere, from rehearsal studios all over the "ranch." (foto, below:The first theater, which burned down in '67)
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I remember two, other, really outstanding moments, in particular, from my Summer of '62: 1) I appeared on-stage, once, in a Swiss-Guards uniform, filling out the ranks of the chorus in Tosca. And 2), at a cocktail party, I sat beside the Maestro, on the piano bench, turning pages of a score I could not read, while he played and members of the Opera cast took turns singing songs from Porgy and Bess; he nodded to me when the time was right to turn 'em. Didn't say a word.
Ultimately, I worked at the Opera for all or parts of three summers, 62-64, incl...
It was illuminating.